Where: Strathpeffer Pavilion – Strathpeffer, Scotland (UK)
Venue rating: 9.5/10 (They should really hold music events more often)
Who I went with: Myself
Where I stayed: My house! No hotel costs, yay!
How I travelled there: Paul dropped me off and picked me up
Beverage of choice: Cava as usual (I’m not an alcoholic, honest)
SETLIST:
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A Balance To All Things
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Roll With The Punches
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Achilles Heel
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The Whole Of The Moon (The Waterboys cover)
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Sleepyhead (Live debut?)
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Only For A While
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Turn It Around
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Signs Of Life
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Sledgehammer (Peter Gabriel cover) (Live debut?)
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Let The People Know
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Dancing In The Moonlight
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Dancing In The Dark (Bruce Springsteen cover) (Encore)
Admittedly, I wasn’t overly familiar with Toploader before I saw their posters plastered around town, advertising this. I didn’t even realise it had been rescheduled at first as, believe it or not, I wasn’t into attending events like this before 2021. When I saw one of the posters at the Maryburgh roundabout I remembered seeing them as part of the line-up for last year’s MacMoray Festival in Elgin. I was intrigued at the time but also overwhelmed by all the other events I had booked last year – I could hardly keep up with them all! I hoped to go to the festival this April as there were more artists I was interested in this time around (namely Sweet) but I didn’t ask for more time off work because I didn’t want to push my luck. I love when great bands like Toploader make the effort to come this far North because this area of the UK often feels neglected. It’s no wonder, being practically in the middle of nowhere. The Ironworks in Inverness used to host amazing music events but it’s recently closed it’s doors for good. Again, I wish I’d gotten into gigs earlier as I missed a ton of talented artists who performed there such as Lewis Capaldi, Wheatus, You Me At Six and Bring Me The Horizon. Yes, I have eclectic taste. My love of live music now outweighs the discomfort of standing in a crowd. If memory serves me correctly I went there only twice over the years – to see a local band (I forget which) and for a ‘Glee’ tribute band (embarrassing) way back in 2011 when that TV show meant everything to me for some reason.
I enjoyed this more than I expected to and it ended up being one of the best shows I’ve been to so far due to the band’s talent, the relaxed atmosphere and it being a mere ten minute drive from my house. I was over the moon (I threw a moon reference in here for obvious reasons) to get the weekend off work but I had to work the Sunday morning after all because we were so short-staffed. I worried that last minute change of decision would take away from my overall enjoyment but it didn’t actually impact the night much at all. Once the bands were on stage all my attention was on them and nothing outside the Pavilion mattered for a few hours. I had a couple drinks at the house and Paul kindly drove me to the venue early so we could secure a parking spot and beat everyone else to the front of the queue. Getting to the barrier makes it so much easier to block out everyone around me. My energy fluctuates a lot, so it’s also good to have something to lean on throughout the night. I was very happy to find Strathpeffer has public toilets. Most places don’t! We ended up arriving far too early as nobody else turned up until 6pm, when the doors were due to open. We were even early enough to catch sight of Toploader leaving the venue for a wander. We snacked in the car and watched the world go by until about 5:40pm when I decided to queue to ease my anxiety, even though there was nobody else around. Annoyingly, someone pushed past me to force the door open after 6pm when we had been instructed to wait but I overtook them once we were inside.
Security was a breeze. The man joked about how much he hates wristbands as he wrestled an unassuming silver one on to my wrist. They managed to scan my e-ticket even though the QR code was tiny and I can’t zoom in on my phone anymore. There looked to be other security measures in place but they didn’t check my bag or anything, not that I had anything suspicious inside anyway. All I took with me was my phone, bank card, lipstick and a sharpie because you never know when a signing opportunity may arise. There’s no harm in coming prepared, even if nothing comes of it. I contemplated buying a drink at the bar as I entered but ultimately decided against it because I didn’t want to need the toilet and lose my spot at the front/centre of the stage. There were atmospheric smoke machines and high quality lighting but it didn’t get dark until the first band came on stage because of all the sunlight streaming through the large windows before they closed the doors. The venue took a while to fill up and there wasn’t a huge turnout in the end, which was a shame. That didn’t put a dampener on the evening though, as each of the bands seemed to be having a lot of fun regardless. The majority of attendees looked like teenagers, which was interesting. I don’t know if they knew the band or went because it was a big event for Strathpeffer. I had a lot of time to kill before the opening act, so ended up filling out a job application. I got the job in the end, so it turned out to be time well spent. I was paranoid I looked like a complete buzzkill but nobody was paying attention to me, thankfully.
A girl to the right of me was super excited because her mum is part of Dashh- (the spelling differs from source to source but I’m choosing to go with their Facebook title), the first opening act. Their social media pages state they formed during lockdown and one of the lead singers looks a lot like my old singing teacher, which could be true because they are a local band. They had great charisma, held the attention of the crowd very well and sounded wonderful. I enjoyed their original songs and wish I could have heard more of them but appreciate when opening acts do covers of famous songs because it makes it easier to get into the music when you already know the words and melodies. They did Fleetwood Mac covers (obviously big fans) followed by an unexpected mash-up of songs you might not think would go together such as ‘No Scrubs’ by TLC and ‘Lady Marmalade’ from ‘Moulin Rouge’. I highly recommend looking it up on YouTube or their Facebook page, if it is on either. I wouldn’t expect these seemingly random songs from the 90’s and early 2000’s to complement each other so well but they made it work. I imagine the songs they selected are also very nostalgic to people, adding to their enjoyment. I didn’t get into music until 2006, so I never held these songs in high regard. However, I still got goosebumps as they jumped from song to song and it felt like a proper blast from the past. They wrote this on Facebook after the event:
“Woah. Last night, along with local legends The Side, we supported Toploader.
Where to start. We opened the night with a 30 minute set and just about managed to pack in 3 of our own songs, 2 mashups (including our ‘dashh up’ where we love watching people’s reactions) and 2 covers.
What a welcoming crowd, thanks for getting involved and dancing to our own tunes – we especially loved all your enthusiasm for our last (and newest) song… EPIC.”
The Side came on next, greeted by huge cheers from the crowd as they took to the stage not long after Dashh- departed. The band seems to be a lot more well known then Dashh- but both received very positive reactions. According to Wikipedia, they won a contest to open for Bon Jovi at The O2 Arena in London and also wrote a song for Ross County F.C. which played during the Scottish Cup final at Hampden Park. Both events happened in 2010, which must have gained them a lot of recognition in a short space of time. I didn’t know their songs beforehand but I think I was in the minority as a lot of people had no trouble singing along. I’d happily listen to their songs again and might make an effort to after I finish this blog. Their songs were much closer in style to Toploader’s, I thought, so I was glad they came on before the main event. They did a cover of a song by The Kinks but mostly stuck to their own material, which were rockier than the songs before. I was inches away from the lead singer (Hugh Winton, from my research) when he stood at the front of the stage. They posted a picture from the night on Facebook along with this caption: “Amazing night supporting Toploader. Big thank you to Strathpeffer Pavilion Community Trust.for having us and to Media Pro Scotland Ltd and Prism Event Lighting for brilliant job with sound and lights. Class set from Dashh- aswell..hopefully see some of you at our next one in Nairn in a few weeks.” Toploader came on shortly afterwards, probably because there were two opening acts and these things can’t run past curfew which is normally 11pm. I had listened to two of their albums before coming so was familiar with most of the songs on the set list. As soon as I left the venue I purchased their other two albums and a couple of their EPs (my favourite being ‘Never Stop Wondering’, which includes two edits of that gorgeous track and a slowed down version of ‘Dancing In The Moonlight’ where the piano is simply stunning). It is really difficult to pick a single stand-out song from the night, though I think ‘Roll With The Punches’ is my favourite song of theirs at the moment. They did two live debuts, which were special to experience. Joseph (Joe) Washbourn called us their “guinea-pigs” since they performed these rarities for us for the first time live. Irritatingly, I can’t figure out which ones the live debuts were as there isn’t a lot of information available online about their past set lists. I’m guessing they were ‘Sleepyhead’ and ‘Sledgehammer’ but please correct me if I’m wrong. I took notes as the show progressed to remind me which songs were being performed and in which order (for this blog) but missed ‘Sleepyhead’ and ‘Signs Of Life’. The girl beside me got handed the set list at the end of the night (I’m definitely not jealous, not at all) but I was too shy to ask for a photo of it, so I e-mailed the band instead about the set list and actually got a reply! Success. JW proudly introduced most of the songs by name before performing and said ‘Achilles Heel’ became popular in Scotland before England but it sadly doesn’t play on the radio anymore. He joked most of us would be too young to remember it, seeing as the first album came out in 1999. He admitted they’re not the most prolific of bands since they have released four albums in the twenty years they have been together but promised us they are trying. I really liked when he spoke to us between songs, commenting on the Victorian-looking balcony at the back of the venue and telling us about the walk they went on around Strathpeffer (which took a whole five minutes apparently, since it’s so small). People loved it when he complimented the deli, since it’s one of the most beloved places in the village. A girl next to me asked him to perform ‘Floating Away (In The Bathtub)’ and he humoured her by playing the distinctive notes of it on the piano before starting the next song. That was a really cool moment and gave the impression he is a nice person. I rarely watch interviews or read up on band members before seeing them, so hardly ever know how approachable they are going to turn out to be. I recorded ‘Achilles Heel’ in it’s entirety as it was the song I was most looking forward to hearing. My fingers kept going over the camera lens but it’s okay because I was focusing more on the stage than my phone screen. At least I have the audio file! I wish I could hear the covers they did again but not many videos have been uploaded of their live shows. I was blown away by them and have barely stopped listening to their albums since they’ve arrived in the post. I even put one in my car to help me stay calm when I’m out practicing in it. I liked how JW effortlessly jumped between piano and playing guitar and the sound was well balanced. I never thought the music was too loud, drowning out the vocals – or vice versa. The sound could have been a little clearer at times but that’s an issue at most venues not just intimate ones like this. They ended with “a song by a man called Bruce”, which was the Bruce Springsteen cover. I messaged Paul to see whether he could hear it from his car but he could barely make it out. This event made me realise just how much I’d missed live music as it was the first one of 2023 after going to over thirty last year. When checking out Toploader’s Facebook page I saw an advertisement for a show they are doing in August, supporting Razorlight. Their self-titled album was one of the first CDs I ever bought (yes, in 2006) and I had to buy tickets because I couldn’t resist the chance to see them, Toploader, Embrace and The Feeling on the same day! By then, I hope I’ll know each of Toploader’s songs off by heart, having listened to their albums at least a dozen times each.
GALLERY:
Ready for my first gig of 2023
Dashh-
The Side
Toploader
Cool shot
Asking everyone to put their hands in the air
Everyone putting their hands in the air
Very close
Powering through the songs
Front centre
The end
The venue as I was leaving